Blame it on the wine. When I washed my natural dyed fabrics,
everything came out dingy. The cabernet colored Color Catcher was a dead
give-away. It was the deepest colored piece in the entire wash. Apparently,
even three Color Catcher sheets weren’t enough to stem the spread of the tannin
dinge.
No worries. That turn led me down a different path and I
decided to try for an impressionist look to my quilt. I figured I could fit my blurry
flowers in somehow. I found a marvelous piece of Carol Eaton’s ice dyed fabric
I had purchased at a SAQA conference in DC. I was originally drawn to it
because of its variety and subtle colors missing from my super-bright stash.
It was the perfect piece for “Misty Melange”. I randomly pieced
the background with 1” and 2” strips to create a watercolor effect. I added
strips of green hand dyed fabrics and accented with wine colored pieces of
linen, cotton and Color Catchers (polyester?). I also raw edge appliqued strips
around the edges to create a more symmetrical top. Though I thought I would use
the flower-pounded fabric, I opted to omit it. Instead, I added flowers to the
quilting motif.
It was a fun challenge, especially playing with the whole
family. I would have to say I remain perplexed at why the “dyes” I used will
stain my favorite shirt forever but will come out in the wash when I want them
for an art quilt. Mordants, molecules, binding…perhaps I should’ve paid more
attention in chemistry class.
A beautiful, calming Lisa-Marie! Isn't it wonderful that we have so much to learn and stimulate our processes in our art? I love the flower pounded pieces, so delicate.
ReplyDeleteThe word 'quilt' is missing from the first sentence!
ReplyDeleteQuite lovely, Lisa-Marie.
ReplyDeleteI love the way you handled the colors together. We all learned a lot - well, most of us - on this one. And you had fun, too!
ReplyDelete