Showing posts with label Challenge 3-8. Show all posts
Showing posts with label Challenge 3-8. Show all posts

Sunday, June 26, 2016

Text on Fabric



Letters, words, phrases, paragraphs – in short, text on fabric - are very appealing elements of design. The letters can be clear or garbled; they can be read easily or not at all.  Their meaning can be part of the quilt’s idea, or just a background part of the design.

Reflection 4 by Jette Clover

Letters and words could be applied with many different methods and tools: embroidery, fused appliqué, pens, paint, computer printing, screen-printing, thermofax, ironing paper transfers, and many more.

 Walk in Orville by Susan Shie - detail

I challenge you to incorporate an element of text into your next quilt.  It doesn’t matter what size the text section is, neither it should be necessarily readable - as long as it is sufficiently visible to be understood as a clear component of the design of the work.


Alicia Merrett - Mayfair 1761 - detail
Text printed on other materials - paper or whatever - can also be incorporated, as long as the finished piece has some fabric on it. We will continue with the size of 40” high, and whichever width you prefer - in this case, even long narrow strips will be acceptable!


Thursday, June 23, 2016

No words...

"Departures"©2010, 20" x 24"
probably the only piece I've done with text on it....
This has been a really tough challenge for me. I've thought about it since it was proposed and have gone through several vastly different ideas. I admit, I find text a challenge to insert into my work without feeling it is contrived. As Hsin-Chen has pointed out, there are those that are adept at adding text and making it part of the artistry....just not me. So, I've been exploring different ways to approach the challenge and collected some random thoughts to share.

One interesting idea was exploring punctuation. As our language uses more and more emojis to non-verbally express our thoughts and feelings, we are using less and less of our historical punctuation, or at least using it correctly less often. It was like opening Pandora's box reading about the misuse of punctuation. The unnecessary use of quotation marks - as in, he calls himself an "artist", or the over use of other punctuation marks!!! Which, you ask??? I'm guilty of these. If you are concerned about them, you can participate in National Punctuation Day on September 24th each year, celebrating and promoting the proper use of punctuation.

I read a bit about punctuation marks that never really took off or have fallen from use such the Interrobang:
Somewhat self-explanatory - - it asks a question in an excited manor, expresses excitement or disbelief in the form of a question or asks a rhetorical question. Wikipedia's example is: You're pregnant

How about the Percontation point or Irony mark:
It was first introduced in the 16th century (!) and became known as the rhetorical question mark, later falling from use in the 17th century. At that time, it was suggested the symbol be called an Irony mark and used to indicate that a sentence could be understood at a different level, such as sarcasm or irony. Seems useful enough...

Or these more recent additions, the Exclamation comma or Question Comma:
"Now you can be excited or inquisitive without having to end the sentence"

One of the really interesting things I read about - and never really considered - was the way that social media and the internet has repurposed some punctuation. In particular, the at sign, "@", can be traced back to the 16th century. Historically used as an accounting symbol or commercial unit abbreviation - 12 units @ $2.00 each, it became a critical part of email addresses in 1971. Also, the number sign (or pound sign), "#", which since the 1800's has had a variety of uses from mathematics to music. In 2007 it was immortalized by Chris Messina when he suggested on Twitter that it be used to identify groups - an thus, the hashtag was born.

#Viewpoints9, #Challenge8, #ideasIamnotusing


Tuesday, June 14, 2016

The Charm of Text

by Lin Hsin-Chen


It is interesting to incorporate text into quilts. There are several works like that at Taiwan International Quilt Exhibition 2016. Artists include letters, words and even totems in their works with many different techniques. Those quilts with text are appealing to viewers. Text also helps to communicate and tell stories, just like the artists are having dialogues with viewers at the venue. Amazing! The power of art is boundless. The 481 quilts from 21 countries exhibited in Taiwan show viewers a variety of innovative techniques and materials, and they are playing the role of art quilt promoters. I am very pleased to share my observations with you. I will send the TIQE 2016 catalogue to V9 members soon! You can read more about the following quilts in the book! Happy creating!

Snow Falls (detail) by Linda Colsh, Belgium


Watershed II (detail) by Ali George, Australia

The Green Tree (detail) by Gaye Alger, United Kingdom    


We Do Not Inherit the World - We Borrow it (detail) by Chantal Guillermet, France


My Friend the Tree (detail) by Andrea Glittenberg-Pollier, Germany


Proof of Global Warming (detail) by Beth Cameron, Canada

Green-Peace (detail) by Ildikó Polyák, Hungary    

Sunday, May 29, 2016

Beautiful days


I made this special quilt with my students for: 


"To commemorate 110th anniversary of SMU opening, SMU Museum held an exhibition of contemporary crafts: <>. This exhibition <> presents works of crafts that started as tools from primeval humanity and have turned into familiar and specific art of living in our lives by sharing the experience of objects."

When we were making this quilt, I saw Alicia's challenge, 
So it was such a special experience to me.
When the curator asked to make a work for this exhibition, I thought of many things for it; history, memories, color, image.
We printed many photos on fabric, so I read some on it. 
Many letters of it had special meaning to me.
There were a lot of memories, including my beautiful days.
 

Sunday, May 22, 2016

Texting whilst quilting

I have employed text variously over the past several years.

For my Aunt and Uncle's BIG Anniversary I wanted to give them something no one else would/could...and surprise them.  At their big party, I quietly handed their friends and family squares of cotton that I had prepared, along with ink pens.  Their messages spanned congratulations to intimate, cryptic, and personal messages.

My Uncle Mort's family owned a department store and he was noted for being ever-present, community-minded and a snappy dresser with very smart ties.  My cousin raided his closet and supplied me with some of them...and, apparently he never noticed their absence.

The quilt was one of his treasures.  As he aged, it was always by his favorite chair for his afternoon naps.
Mort and Sue's Anniversary
I sometimes use cursive script to quilt my fabrics together.  It is functional and adds to the narrative of the piece
I'm Not From Here/detail

In a small pieced titled, Miscommunications, I hoped that the commercially printed text on cotton would underscore the imagery of personal communications in this piece from 2009.
Miscommunications



And then there was the series in which I worked through a big birthday using cotton that I had discharged.  That must have been about 5 years ago....I'm facing a REALLY big birthday next week :^)

Sing

Sunday, May 15, 2016

Foreign language confusion

I have been fortunate to travel to many countries and still enjoy the excitement of new discoveries in foreign lands. Nothing is more indicative of a country than its way of communication through its language. It is impossible for me to learn the language of every country I visit, so a few words are picked up here and there, polite formalities and the all important word for 'toilet'.
In Vietnam there is a bombardment of signage on the streets advertising all manner of items. Some are easy to read and interpret especially when a picture or English translation is attached.
Others are just a guessing game.
Accompanied by graphic illustrations.
And just because!



Tuesday, May 10, 2016

Painting Pictures with Words

Yesterday I received the sad news that my uncle had passed away from ALS, (a disease formerly known as Lou Gehrig's disease).
I was reminded of a poem my mother wrote, shortly after Uncle Jerry was diagnosed. Her words painted a picture of that strange moment... when you are temporarily frozen in time and space as your mind comes to grips with something.  An experience that was repeated, for me, when my mom told me about his passing.
As I went back and found her original poem, I realized it was written less than a year ago.  It seems like too short a time to prepare for this news.
Words have to power to sooth and comfort us as much as they can startle us and hurt us. Not that it offers any explanation of why these things happen, or insight about the afterlife or existential meaning. But I read these words and feel understood, connected through a common experience.

(With her permission), this is my mother's poem:

Suspended Animation
by Kathleen A. O'Brien

The phone rings:
“I have something to tell you.”
How the mind can race in the void.
How the hands of the clock pause.

Time stops, like a Jack-in-the-Box at the last crank.
The moment inhale converts to exhale.
The expectation, the blood pressure spike,
when words are pitched into space.

“I wanted you to know before
you found out from someone else.”
The roller coaster apex before descent.
Vacuum of feelings as the mind computes.

Like an unopened letter
from the IRS,
Like flashing red lights
in the rear-view mirror.

On the phone:
news given,
yet not accepted.
What to say now.